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Miller, Alfred Jacob
Bear Bull, Chief of the Oglala Sioux
1837
Watercolor on paper
Walters Art Gallery, Baltimore.
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Miller, Alfred Jacob
Antoine Clement, The Great Hunter
1837
Oil on canvas
Walters Art Gallery, Baltimore.
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Miller, Alfred Jacob
Encampment on Green River
1837
Watercolor on paper
Joslyn Art Museum, Omaha.
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Miller, Alfred Jacob
Interior of Fort Laramie
mk77
1858-60
Watercolor
11 5/8x14 1/8in
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Miller, Alfred Jacob
Crossing one of the Sources of the Colorado of the West,in the Mountains of the Windsl
mk162
c.1837
9x7
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Miller, Alfred Jacob
Indians Assembled in Grand Council to Hold a Talk
mk162
c.1837
Pencil and ink with gray wash on paper
8x10
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Miller, Alfred Jacob
Greeting the Trappers
mk162
1837
Watercolor on paper
6x9
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Miller, Alfred Jacob
Indians Fording a River
mk162
undated
Watercolor on paper
4x6
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Miller, Alfred Jacob
Elk Hunting in the Rocky Mountatins
mk162
c.1837
Pencil with brown and gray washes on paper
8x7
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Miller, Alfred Jacob
Surround of Buffalo by Indians
mk162
c.1848-1858
Oil on canvas
30x44
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Miller, Alfred Jacob
Louis-Rocky Mountain Trapper
mk162
undated
Watercolor on paper
7x5
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Miller, Alfred Jacob
Indian Elopemetn
mk162
1852
Oil on canvas
30x36
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| Miller, Alfred Jacob
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American Painter, 1810-1874
American painter. From 1831-2 he studied with the portrait painter Thomas Sully in Philadelphia, PA. In 1832 he went to France, where he studied in Paris at the Ecole des Beaux-Arts. He also visited Rome before returning to Baltimore, to open a portrait studio in 1834. Three years later Miller moved to New Orleans, LA, and was engaged by Captain William Drummond Stewart to accompany an expedition to the Rocky Mountains. The journey brought Miller into close contact with the American Indians, whose hunting and social customs he depicted in 200 watercolour sketches, and with the Far West fur trappers at their annual trading gatherings. He was one of the first artists to leave a detailed visual account of the life of the American mountain men (see WILD WEST AND FRONTIER ART). Miller's Rocky Mountain paintings are among the most romantic images of the American West ever created. His works are often panoramic and dramatic, yet he was equally adept at depicting charming, intimate scenes. His free, vigorous painting style brings to life both the American Indian and the rugged pioneer. Such paintings as the Lost Greenhorn
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